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So, for a half an hour, every single time, we could not remember how this worked. So we’d be like, “Wait, are we crossing the line here?”. And they would always stop and be a half an hour discussion because we could never figure out where the line was for the shot. It could look like you’re talking to yourself, or you’re talking in the wrong direction.Īnd the way the set was, we’d shoot on one side, then somebody would teleport, and I turned around to talk to my master, and we’d have to cross the line sometimes. It’s when the camera goes from one side of your face to the other side, and the rule is you cannot cross the line, a specific line in space, otherwise it gets very confusing for the person watching the film to know who you’re talking to. I don’t remember the exact specifics, but there’s a term in film called ‘crossing the line’.
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The one thing that always happened was there was some weird teleport thing where we… I don’t know how it worked. And a lot of what you guys were doing, you were either out fighting in Valencia somewhere, or you were standing on that set. It was a day of heat, and melting, and blindness and pure fun.
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I had the Vixens behind me, my woman warriors, and we were fighting the guys, the VR Troopers in their full armor. Read more: Power Rangers: Ranking the Other American Tokusatsu TV Shows And we promptly walked outside in the black armor and makeup to 112-degree heat, near Valencia near Magic Mountain. They painted my face with makeup it took like an hour and a half to do. I was just super excited, so I didn’t care about any of it. I was so excited to be on a television show that was connected with Saban and the Power Rangers.
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But they cracked me out, made my body armor, and then my very first day it’s black samurai body armor with a huge helmet on top.
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And then they set me almost upright as it started to harden, and I watched the entirety of True Romance, and I was like breathing through a straw. They cracked me open after my skin was crawling. They poured it full of latex for my body mold, and they gave me a straw to breathe out of, and they kept my eyes clear. I remember they sent me to a place in the Valley where I had to get in basically a casket. So we need to re-shoot some of the action, all of the acting, so it’s in English. I didn’t understand how they use Japanese footage at first, but growing up in Hawaii and watching all of those shows originally, I was like, “Oh, you guys are just… okay, I see what you’re doing. Talk a little bit about being Doom Master in that show.
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Plus we even touch on his guest appearance in Kamen Rider: Dragon Knight! The experience of booking each part, finding the best way to adapt them for an American audience, and the day to day life on set. Bringing new versions of these Japanese characters to life isn’t something many people have experience with so we at down with Storm to chat about his various Ameri-Toku roles. Godzilla was obviously a new interpretation of the legendary character. In addition, unlike some characters in Ameri-Toku his biggest ones have always been adaptions of the original Japanese source material.ĭoom Master was almost a completely physical rip from Shaider, the series that was used as part of the basis for VR Troopers. He grew up as a fan in Hawaii where many of the Japanese Tokusatsu series aired long before Power Rangers hit America. Storm has a unique perspective on being part of the American Tokusatsu phenomenon. From 1995 when he played the evil commander Doom Master in season 2 of VR Troopers through his current role as Godzilla, T.J. Storm is one of the few American Tokusatsu actors to have played multiple characters across multiple franchises.